![]() Splash, water, and dust resistance are not permanent conditions. At least when it comes to delivering on the promise of more better photos under more wider conditions.IPhone 7, iPhone 7 Plus, iPhone 8, iPhone 8 Plus, iPhone X, iPhone X S, iPhone X S Max, iPhone X R, iPhone SE (2nd generation), iPhone SE (3rd generation), iPhone 11 Pro, iPhone 11 Pro Max, iPhone 11, iPhone 12 Pro, iPhone 12 Pro Max, iPhone 12, iPhone 12 mini, iPhone 13 Pro, iPhone 13 Pro Max, iPhone 13, iPhone 13 mini, iPhone 14 Pro, iPhone 14 Pro Max, iPhone 14, and iPhone 14 Plus are splash, water, and dust resistant and were tested under controlled laboratory conditions iPhone 12 Pro, iPhone 12 Pro Max, iPhone 12, iPhone 12 mini, iPhone 13 Pro, iPhone 13 Pro Max, iPhone 13, iPhone 13 mini, iPhone 14 Pro, iPhone 14 Pro Max, iPhone 14, and iPhone 14 Plus have a rating of IP68 under IEC standard 60529 (maximum depth of 6 meters up to 30 minutes) iPhone 11 Pro and iPhone 11 Pro Max have a rating of IP68 under IEC standard 60529 (maximum depth of 4 meters up to 30 minutes) iPhone X S, iPhone X S Max, and iPhone 11 have a rating of IP68 under IEC standard 60529 (maximum depth of 2 meters up to 30 minutes) and iPhone 7, iPhone 7 Plus, iPhone 8, iPhone 8 Plus, iPhone X, iPhone X R, iPhone SE (2nd generation), and iPhone SE (3rd generation) have a rating of IP67 under IEC standard 60529 (maximum depth of 1 meter up to 30 minutes). But so far, I like the telephoto even if it is a real tradeoff between length and speed. I want to shoot a lot more with this camera. I need to shoot a lot more with this camera. They let me stretch my creative potential.īut, if nothing I said here interests you in the slightest, then you can just scratch 'camera' off your Max list and decide based on size alone. They're small, interesting things that appeal to me because I love exactly these kinds of small, interesting things. Now, none of these are major differences. Especially when you use a gimbal or just the IBIS and stabilize in post. Videography is where the bigger size really doesn't matter either, because most cameras a way bigger, some enormously bigger, and by comparison even the iPhone 12 Pro Max is ridiculously light, and combined with its dynamic range, makes it incredibly easy to get into any space and do almost any type of shot. Iphone 12 Pro Cameras Vs Previous Models (Image credit: Rene Ritchie) Which is just one more thing that helps explain the difference in perceived value. This one is OLED HDR, does real-time preview for computational modes, so what you see is what you shoot, and it comes built-in. I mean, camera nerds like me pay hundreds and hundreds of dollars to slap a SmalHD or similar, bigger display on our cameras. ![]() But the 10-bit dynamic range is just gorgeous.Īnd the 6.7-inch display makes for a terrific view-finder. I really, truly, intensely wish Apple had a button on the main camera app to toggle it on and off like they recently added for the resolution and frame rate, and I'm still waiting on proper Final Cut Pro X support like Judge Judy slapping her watch dot GIF. Including the new 4K60 Dolby Vision HDR mode. I mean, Portrait Mode is fine and computational photography never ceases to fascinate me, but there's just nothing that matches what you get off glass, and when you have enough light this glass is great.Īnd all of the same things apply to video as well. I do love, just all-caps love, the natural bokeh you can get off the 65mm though. Iphone 12 10x Vs 12x Digita Zoom (Image credit: Rene Ritchie) I'm not saying periscope lens me, but something. It's still way closer to a 50 than 80, but it's getting there.Īnd yeah, even though Apple's doing a much better job with Smart HDR and Deep Fusion on digital zoom, I'm still really missing much better optical zoom on iPhones. And it's kinda surprising and delightful how much difference that actually makes. Because of the length, it steps up to 2.5x, not just 2x like on Apple's previous telephoto camera system. The downside is, instead of an f/2.0 aperture, it's an f/2.2 aperture, which means it's not as good in low light. Which means it has even more compression and less distortion, which can be really nice for portraits and product shots. The 52mm telephoto is, well, not 52mm on the Max. I can't wait to test it out and see what it can really do in a follow-up review. Basically, letting you step through and tweak the process. Iphone 12 Pro Max Wide Ultra Wide Tele Low Light (Image credit: Rene Ritchie)Īpple has also announced a ProRAW format for later in the year, which promises the flexibility of RAW with the power of computational photography.
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